Tarkovsky’s The Mirror is undoubtedly one of the true masterpieces in the magical world of cinema. In this episode Dino talks about Tarkovsky and his concept of the so-called Time Sculpting, which is here explored in his seminal work “The Mirror” (1975).
And no, there is no awkward impersonation of Tarkovsky’s Russian accent in this episode.
In the seventh episode of Film Magistery Dino talks about slavery throughout history. The Code of Hammurabi is mentioned, and so is the slavery in Africa, Europe and the United States. And do we have slavery in modern times, here in 2017?
The reference to the concept of slavery is Steve McQueen’s powerful film 12 Years A Slave (2013).
For more visit the Film Magistery website: magistery.dk
Code of Hammurabi.
Roger Crowley, Conquerors: How Portugal Forget The First Global Empire, 2002.
International Labor Organization: 21 million are now victims of forced labor
In the sixth episode of Film Magistery Dino talks about the abundance of bullshit today around us and Coens’ underrated film ‘Burn After Reading’ (2008), a tongue-in-cheek spy film about some people who know nothing, but pretend to know a lot. It says a lot about the cultural and interpersonal condition of the modern society today.
We ask what bullshit is and why is there so much of it around us.
For more, visit the Film Magistery website: magistery.dk
Support Film Magistery: https://www.patreon.com/avdibeg
Harry Frankfurt, On Bullshit, 2005.
Photo “I’m not a liar!” by Tristan Schmurr
Licence: Attribution 2.0 Generic (CC BY 2.0)
Photos and video footage from pexels.com.
18 Unbelievably Expensive Artworks That Sold
For Millions This Year
This painting just sold for $46.5 million at Sotheby’s in New York
In the fifth episode of Film Magistery the subject is eternal love (and human existence). As the reference is used Darren Aronofsky’s beautifully shot and edited film The Fountain (2006) with excellent performances by Rachel Weisz and Hugh Jackman.
Is love truly eternal, and is it the hidden knowledge just beyond our perception and physical reality? What if we can live forever?
In the fourth episode of Film Magistery Dino talks about surveillance and how the society is subdued the heavy tracking from many different sides. As the reference to the theme the German film The Lives of Others (von Donnersmarck, 2006) is chosen to be discussed and how East Germany’s security police, the Stasi, kept the whole nation under its firm surveillance. Bentham’s concept of Panopticon is mentioned as an important element in discussion about surveillance.
But what does surveillance mean to us? Does it concern us on a personal level or are we just saying “I don’t care; they can monitor me anywhere and anytime – I have nothing to hide”? But what when surveillance is undertaken by private companies, domestic or foreign governments? Dino asks if a society should passively accept surveillance or perhaps contest it and demand from politicians to legislate and control it.
There is also a mentioning of some other examples of films with surveillance as the main theme: The Conversation, Minority Report, Caché, Brazil, Rear Window etc.